When something is destined to break, what survives and what does not? The tension between will and fate drives my exploration of how objects and routines are altered in time of illness. I simulate care-taking rituals and focus on clay as a life cycle: pulled from the earth, molded, imprinted, fired or slaked down, used, displayed or destroyed.
Hold On
Ceramics, surgical tape, steel, 2008
Exposed
Porcelain, gauze, ink, 2009
Concealed
Ceramic, thread, 2008
Detail
Detail
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